Victoria's Regencies
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Jane Austen in Chicago

10/18/2021

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The delightful AGM has concluded and, aside from my over-loaded brain, the event was better than I could have imagined, after all the special problems of the covid era.  A brilliant array of speakers and topics kept us busy and fulfilled. Gillian Dow joined us on screen from England, speaking on Theatre and Theatricality, or Jane Austen and Learning the Art of Dialogue: Very engaging analysis of how Austen created such realistic characters and scenes.
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The Art Institute of Chicago had an open house in several galleries where we could talk with curators about the art of the Jane Austen era. Below left, J.M.W. Turner seascape; right, Sarah Dupont by Thomas Gainsborough, 1777-79.
Above left, Lady Sarah Bunbury Sacrificing to the Graces, 
Sir Joshua Reynolds, 1763-65; right, Stoke-by-Nyland, John Constable, 1836. Below, among the decorative arts; left,  Gaming Set, c. 1735, Du Paquier Manufactory; right, Anti-Slavery Medallion, 1787 Wedgwood. Middle row left: Brand Cabinet, c. 1743, design by Horace Walpole, William Hallet, cabinet-maker; right, Library Ladder 1782, William France (English, 1759-1838), made for Badminton House, Gloucestershire
Above, left, King Vulture 1734, Meissen Porcelain Manufactory, modeled by Johann Joachim Kandler, German 1706-75; right, Table Centerpiece, gilt bronze 1768, Denis Rene Gastecloux, London.  Below, The Emporium, display of Jane Austen's Regency  World magazine with a life size cut-out of Tim Bullamore, publisher, substituting in the Age of Covid.
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Below, Victoria poses with speaker Devoney Looser at a Plenary Session.
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Dr. Looser, JASNA's North American Scholar, spoke on Sisters and the Arts: Austens, Porters, & Beyond, comparing Writer Jane Austen and her sister Artist Cassandra Austen with Jane and Anna Maria Porter, both novelists.  Adding to the fascination of the topic is the anticipation of reading the Porter novels with which I was completely unfamiliar. 
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The third plenary talk was presented from England by Desmond Shawe-Taylor, Surveyor of the Queen's Pictures: The Prince Regent: Jane Austen's Royal Fan. He related the story of how Prince George and his librarian, James Stanier Clarke, requested Jane Austen to dedicate her next work to the Regent. Although Miss Austen did not like him at all, she dutifully did so in the case of Emma. Mr. Shawe-Taylor went on to discuss how the Prince Regent, later George IV, although disliked by the public and considered a spendthrift and even a glutton, was a man of excellent taste who acquired many outstanding pictures which still adorn the Royal Collection, including many ​Dutch and Flemish Works such as the painting below, The Ship Builder and his Wife, 1633, by Rembrandt van Rijn.
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I attended several excellent breakouts and special interest sessions, a wealth of experience I will recall for years to come. But I cannot finish without mentioning the costume promenade at the banquet.  Below, one of our favorite outfits.
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The weekend was polished off with a musicale of selections chosen from the Austen family collection by Maestro Stephen Alltop and Soprano Josefien Stoppelenburg who enchanted us with their performance, but I'm sorry my picture is so distant. Their final selection was a vigorous version of The Battle of Prague, leaving all of us in laughter.
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And finally a few of our JASNA-Wisconsin delegates joined up for a last-minute photo.
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Seaside Summer...my new novella

6/22/2021

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Regency Mid-Summer Mischief, an anthology of  seven stories by award-winning and best-selling authors. Just enter the title in your Amazon account and you'll get the page.
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My story is Seaside Summer: Miss Veronica Montgomery depends on help from the manager of a seaside hotel, wounded warrior Captain Drew, to deflect the marriage proposals insisted upon by her mother and sister. But what happens when Ronnie and Drew fall in love?
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The 'internal' cover for my story again features a Regency-era fashion plate, this one from Ackermann's Repository of Arts, Plate 23, October, 1815.

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​Here is the magazine's description:

'Walking Dress'  A round robe of fine cambric or jaconot muslin, ornamented with a double flounce of French needlework at the feet, under an open pelisse, composed of French Grey sarsnet, lined with salmon colour; the upper part of the sleeves (s)lashed with satin of corresponding coulour fulled and let in. A full ruff of needle-work, and a small French Handkerchief  round the neck. French hat of the satin straw, with a quilling of net round the rim; three  rows of grey satin ribbon plain or quilled, round the crown and a full plume of white feathers, edged to correspond. Slippers, blue or red Morocco. Gloves, York tan.

​Cambric is a fairly stiff-woven cotton fabric, more substantial than muslin; jaconot is an even heavier cotton. Sarsnet is thin silk, usually shiny. The colors: French Grey and salmon appear a bit dimmed in this print, which like most of the others in fashion magazines of that period, were engraved in black and white and hand colored.  
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    REGENCY MID-SUMMER MISCHIEF: Available
     now from Amazon Kindle and  Kindle Unlimited
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GOING ROGUE...

2/15/2021

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Spoiler alert!!  Note, this is a steamy story. The bedroom door is most definitely not closed! 
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Enchanting Aurora: She needs to lose her maidenly innocence, he needs to fulfill a wicked challenge. Will this short term arrangement give them both more than they bargained for? 

Usually I write traditional sweet regencies, sometimes referred to as "clean."  This, quite frankly, is what I like to read, using my own imagination to create the steps following the kiss. But this time, I wrote them down.   

If you don't like steamy stories, find one of my sweet books instead. Here is what motivated me. Mrs. Aurora Williams turned out to be a character I couldn't discard. She lingered in my head and my muse kept urging her on. I simply had to take on her story. It seems that the unfortunate Miss Aurora Benson went to Brussels in 1815 and met soldier Charles Williams. Her uncle managed the marriage settlements and they were set to marry when suddenly, a battle loomed. Charles and Aurora were wed immediately, but he was called away the moment the ceremony was complete. Instead of a wedding night, Aurora got a hasty kiss on the cheek, and in the same movement, Charles mounted his  horse and was off, never to return. She was left a widow and a virgin.
         All this was her back story. Now, as she contemplated marrying again, Aurora wished to learn what the marriage act was. How could she find out? There was only one way to complete her knowledge.
         So you see why I had to follow Aurora's initiation into intimacy with a man. Luckily, Blake Kingsley turned out to be the perfect teacher. Following every step of her education turned out to be a pleasure for me. I hope you will enjoy her journey too. And his! 
​         What is your opinion on the level of heat in your favorite stories?
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ANATOMY OF A RABBIT HOLE

2/10/2021

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              Above, Strawberry Hill, Twickenham
Some of us who write historical fiction will freely admit we love the research just as much (sometimes more) than the writing. We often exchange stories about how we fall down the rabbit hole of research, immersing ourselves in some arcane bit of knowledge and following clue after clue, until we realize we've spent a whole day in pleasurable, if mostly irrelevant activity. Happens all the time. So follow along with me as I wend my way down the multidinous corridors of my latest rabbit hole.
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      Above, Alexander Pope's Villa, Twickenham
In my upcoming steamy Regency called Enchanting Aurora, Blake Kingsley, our hero, has a villa on the Thames River in Twickenham, an escape from central London. Where did I learn that many leading figures in the Georgian era had these retreats? Aha! I enter one Rabbit Hole, aka Wikipedia. Soon I was enjoying a website called Experiencing Arcadia where I came upon this delightful painting by Francis Wheatly (1747-1801) entitled The Browne Family, Yale Center for British Art (YCBA), c. 1776, a charming riverside view.
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 Next, I stumbled upon another very provocative painting by Wheatley, after which I wished I had set my story in the summer instead of the frosty winter. The Salmon Leap is also in the collection of the YCBA, dated 1783.
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  But I soon realized I should save that for a future story. Stay tuned! Reluctantly, I decided to follow another winding corridor by recalling my own visit to Twickenham when my late husband and I visited Strawberry Hill House, the famous Gothick abode of author and collector Horace Wapole (1717-1797). Please click on the pictures for larger versions.
If you want to read about our visit, please go to
​http://numberonelondon.net/2011/07/travels-with-victoria-a-visit-to-strawberry-hill/
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Among Walpole's neighbors were the famous sisters, Misses Mary and Agnes Berry, who viewed Walpole almost as a father-figure. Below, as tweens.
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Mary Berry (1763-1852) and her younger sister, Agnes (176-1841), inherited many objects and the papers of Walpole. In addition to exchanging many letters with each other, Mary published journals of her life experiences, a valuable source for late Georgian information. She also was responsible for publishing many of Walpole's papers, another priceless source of information, particularly gossip.
Above, Mary Berry (L) and Anne Seyour Damer (R), by distinguished sculptor Anne Damer.  Walpole left his house at Strawberry Hill to Damer, who lived there until 1811. Seven years later, she purchased York House, now the Town Hall of Richmond on Thames, including Twickenham, left below.
The portrait of Anne Damer was painted by Sir Joshua Reynolds. Wait!! STOP.  I already spent hours on Horace, Mary and Agnes, Anne, now Josh?? None of these subjects were new to me, but I spend hours enjoying reacquainting myself... No wonder I am hungry. It's dinner time and I never stopped for lunch.  
    I hope you watch for my spicy story, ​Enchanting Aurora, to be released around March 1, on Amazon Kindle and Kindle Unlimited.
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BRIDGERTON...

1/14/2021

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Netflix is now presenting the eight episodes of Bridgerton's first season, with more to come in the future. The story is based on Julia Quinn's regency-set novels about the Bridgerton family, their relatives and friends. 
Left, Rene-Jean Page as Simon Basset, Duke of Hastings, and right, Phoebe Dynevor as Daphne Bridgerton Their romance took place in the first book, The Duke and I, and followed up in several more novels. The first season centers on them, with subsequent romances to be followed as the series continues, or so we hope.
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I spent more time, the first run through, trying to identify the settings. I had to watch all eight episodes again to enjoy the story.  Did you recognise the room above as the Wilton House Double Cube Room?  See my post of December 1, 2020, for previous sightings of the room in period dramas.  Here are several more from Bridgerton.
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Above, also the Double Cube Room in Wilton House, with the young ladies waiting to be presented to Queen Charlotte.
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The Bridgerton family supposedly lives in London but the exterior of their house is actually in Greenwich, the Ranger's House, below as it appears in the series on the left, and right, as it looks usually. Click on the pictures for larger versions
Most of the street scenes in what the story called London were shot in Bath where 8th century architecture still reigns. Below, on the lawn before Bath's Royal Crescent.
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Lady Danbury's London home was played by Bath's Holburne Museum, which was the Sydney Gardens Hotel in the days of the Regency.
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Keeping track of which set served as which family's home must have been a logistical tangle for the crew and editors. Below, left, a ball was staged in the gallery of Hatfield House in Hertforshire, and right, the duke and duchess arriving at their country estate, played by the elegant facade of Castle Howard in Yorkshire.
Among other country house settings used for Bridgerton scenes were Badminton, Stowe, and several more. The latest  I have heard is they are contemplating eight seasons of Bridgerton, and I am cheering.  All those sights to identify!!!
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A Love for Italy

1/1/2021

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      Now that Christmas and New Year's are behind us, the stores are filling up with hearts and candy for Valentine's Day, just right for my novella "The Valentine Poem."

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The protagonists are a young woman who yearns to visit Italy and a gentleman of English and Italian heritage who's leading a double life as a sort of spy for the British government, keeping track of the many Italians in England. The setting is January and February of 1814 in London, a few months before the first fall and abdication of Napoleon and his exile to Elba. Italy is a patchwork of city states, principalities, and anarchy in the wake of Napoleon's short-lived attempt to unify the peninsula under his brother-in-law, Joachim  Murat (1767-1815) following decades of Italian discontent when mostly ruled by the Austrian Hapsburgs for most of the 18th century. Seething with political machinations, many of the exiles intrigued to plot changes in the Italian states, a potential threat to British interests. But the British loved Italy and Italian artists too.
Above, two of the Italian artists who captured accolades from Londoners in the the early 19th century; Left, Angelica Catalini (1780-1849), famed soprano; right, Antonio Canova (1757-1822), renowned sculptor.
     All through the long 18th century, Italian composers, musicians, artists, writers, and teachers found welcomes from British audiences for their work.
     Below, Angelica Kauffman, RA (1741-1807) self-portrait; Antonio Zucchi, RA (1726-1795), by Angelica Kauffman, his wife. They worked both individually and together on many projects in England, particularly wall and ceiling panels in buildings inspired by neoclassical architect/​designer Robert Adam and his family.
Above, left, "Design" by Kauffman, in the Royal Academy of Art; right, "Spring" a medallion by Zucchi in Kenwood House, London. Kauffman was one of only two women among the founders of the Royal Academy of Art.
     Not only the gifted found their way to England. The many wars and the crazy quilt of shifting political allegiances -- kingdoms, duchies, princpalities, domination by other nations -- led thousands of Italians north. Farmers, street peddlers, skilled artisans, seamen, and restauranteurs were a few of their occupations. Many of the exiles were conspiring to promote  schemes for the unification of the Italian peninsula, activities the British government wanted to keep tabs upon.
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Above, Rome, 1757, by Giovanni Paolo Panini  Travel went in both directions with Italy often the destination of young men on their Grand Tour. Also, entire families sometimes moved from chilly England for health reasons as well as the culture. British museums are replete with Italian art treasures purchased and brought back by English tourists.
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Above, The Portland Vase, c. lst century BC, The British Museum.  This precious vase was discovered in the 16th century and loaned, then sold to the museum by the Duke of Portland. In 1845 it was shattered by a drunken visitor and painstakingly reassembed from the fragments by museum personnel and further repaired in in 1989, a tour de force of restoration. The Portland vase inspired many other artists, perhaps most notably Josiah Wedgewood (1730-95), who reproduced versions and used the cameo themes widely in his ceramics.
Above left, Maria Cosway, self-potrait,1787; right, Maria Cosway, portrait of Georgiana, Duchess of Devonshire as Cynthia in Spenser's The Fairie Queen, c. 1781, at Chatsworth House.
     I can't conclude until I acknowledge the incredible Maria Coasway, a composer and muscian as well as a renowned painter who exhibited her work at the Royal Academy. She is almost equally famous for her relationship with Thomas Jefferson, begun in 1786 Paris when he was envoy to France, and documented in numerous letters archived at the University of Virginia, the topic of both books and films. This well-known love affair should not dim our respect for her excellence in artistic fields rarely achieved by women in her time. Brava, Maria!
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THE CROWN AT WILTON HOUSE

12/1/2020

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The Crown is bringing us some wonderful scenes of stately homes and other settings which stand in for Buckingham Palace, Windsor Castle,  Ten Downing Street, and many many more. After I binge watch for the story, I watch it all over again to see if I can recognize the settings.
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When I saw this shot of Prince Philip and the Queen in an earlier season of The Crown, I immediately recognized that room. Most definitely Wilton House. Below, the Double Cube Room, this time from Season Four. 
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Below, also in Season Four, Diana dances in the palace, aka Wilton's Double Cube room.
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The Double Cube Room is 30x30x60, reflecting its neoclassic roots, and is probably the work of architect Inigo Jones (1573-1652), though the room's decoration shows the baroque influences of later artists.
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The great portrait by Anthony Van Dyck (1599-1641) portrays Philip Herbert, 4th Earl of Pembroke (1584-1650) with his Countess and his children, painted in 1634-35.
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Below, the 'family piece' portrait is clearly visible in its entirety for this scene of the young princesses from Season One of The Queen.
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Wilton House has played roles in many films. Below, a scene in the Double Cube Room with Director Autumn de Wilde and the cast of the 2020 version of Jane Austen's Emma.
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Wilton House played the role of Mr. Knightley's estate, Donwell Abbey. Here is actor Johnny Flynn as Mr. Knightley striding across the lawn after crossing the Palladian Bridge with the house in the background.
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Below, my 2018 photo of the Palladian Bridge, built 1736-37, over the River Nadder with the house at far right.  Supposedly there are four such bridges in the world, three in Britain and one in Russia.
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Back in the Double Cube Room, we see Emma and Harriet sitting on the custom-made sofa under the Van Dyke portrait. 
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In the 1995 version of Austen's Pride & Prejudice, a pianoforte was placed in front of the portrait and Mr. Darcy listened to his sister, Georgina, play.
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Here is the brown-clad Elizabeth (Keira Knightley) in the center of the room, meeting Georgiana Darcy.
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And as our last view of the Double Cube Room, here it stands in for the Palace of Versailles in an episode of The Outlander's Season Two. You can't miss that portrait in the background.
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These are not the only films that give us views of Wilton House. And while we watch The Queen, we'll see many more interesting settings playing roles in the story. What's your favorite?
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SEASIDE STORIES

10/28/2020

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New in Amazon, Amazon Kindle, and
​Kindle Unlimited!!
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My latest novella in trade paperback and/or e-book format is The Muddled Matchmakers, set in Weymouth, Dorset.
      In the story, widow Dawn Neville and widower Hugh, Lord Grayson, devote their lives to their small children. When their elderly fathers conspire to bring them together at the Weymouth seaside, Dawn and Hugh agree to pretend compliance with the matchmakers’ objective. But their pretense just might diminish sad memories and inspire a fresh promise of a loving future together.
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Weymouth was a favorite spa for the Royals. King George III, his brothers, and his children often came for recreation. First presented in Kensington Zebra’s Father’s Day Anthology A Match For Papa in 2003, The Muddled Matchmakers tells the story of a summer stay in Weymouth. 
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        Jane Austen mentions many seaside resorts in her novels and letters. Darcy’s young sister Georgiana in Pride and Prejudice is almost seduced by George Wickham in Ramsgate, Kent. Lydia Bennet indeed is carried off from Brighton by that same miscreant, though one can say he receives his just desserts by having her company for the rest of his life. Beware the  temptations of the seaside! True as well for Lyme Regis in Mansfield Park. 
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     The Austen family often journeyed to the seaside, visiting places such as Sidmouth, Teignmouth, and Dawlish. In the fragment of a novel Austen left unfinished at her death at age 41 in 1817, we find the story of Sanditon, a village being transformed into a resort for the amusement of city dwellers. 
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Sanditon was used as the basis of a television series in 2020 with screenplays by Andrew Davies and others, which went a long way off from Jane Austen's fragment. Whether or not the series will be continued is not known yet. I guess it was not enthusiastically received on either wide of the pond.
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      I chose Worthing, in Sussex, as the setting for two of my novellas in the Regency Summer Anthologies in 2019 and 2020 published by Dreamstone Publishing. Like other coastal resort towns, the beach held many bathing machines for the ladies, donkeys to be ridden by the children, and promenades bordered by colorful gardens. The towns boasted churches, hotels, shops, tea rooms, even some theatres and assembly rooms. Below, the covers for the stories flank one of the anthology covers. Click on the thumbnail for larger pictures.
 Below, summer 2020 from the BBC.    Tourism grew during the Georgian era and rapidly expanded with the coming of the railroads in the early Victorian years. Today, British beaches resorts are as popular as ever, with their long piers dotted with shops, restaurants and carnival-type rides, and rows of rainbow-hued beach huts. Today,  the therapeutic concerns of drinking sea-water and immersing oneself in cold saltwater are no longer the attraction. But as an island nation it is no surprise that the seashore is always popular. Below, Summer 2020 from the BBC.
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Theatrical Memories

9/25/2020

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Here it is the Autumn of 2020 and I have not seen a theatrical performance or a concert since last March. On the other hand there have been a plethora of presentations from all over the world online. Not sufficient but it helps.  One of my favorite sources is Turner Classic Movies, where yesterday I watched the charming comedy Private Lives starring Norma Shearer and Robert Montgomery, base on the play by Noel Coward. 
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Coward published the play in 1930 and starred in the first stage performances opposite Gertrude Lawrence. The play was an instant success and an international hit. It soon was made into a film  in 1931 starring two of the hottest young stars in Hollywood.
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The stage play is performed frequently and has starred many of the world's most respected actors and actresses, such as Maggie Smith, Kim Cantrall, Laurence Olivier, and Alan Rickman, as well as a host of summer stock, community theatre and student productions.
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 More to come soonWay back in 1983, my husband and I saw the play in Chicago with Elizabeth Taylor and Richard Burton, two of the most famous actors and double divorcees of their day. The show played in several cities, where critics panned it mercilessly. But most of the audience loved it, full of Noel Coward's wit and not-very-subtle references to the stormy Burton Taylor marriages. 
     In the depths of 2020, we better drag out and polish up those memories....to keep us going! More to come soon.
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My Summer Story...

8/24/2020

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My novella, A Hero for Harriet, is included in Regency Summer: Secrets and Soirees, an anthology of stories by seven authors published by Dreamstone Press and available on Amazon Kindle and Kindle Unlimited.
Here is a description of  A Hero for Harriet by Victoria Hinshaw:
      A young woman whose family want her to marry well; a gentleman, nobly born but uninterested in society; two matchmaking aunts; assumptions and misconceptions; the intervention of a donkey: true love is found despite it all.
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Above, a caricature entitled 'News from Worthing,' created by Isaac Cruikshank in 1807, from the collection of the U.S Library of Congress.
   To order, go to 
https://www.amazon.com/Regency-Summer-Secrets-Anthology-ANTHOLOGIES-ebook/dp/B08BZM3VHS
​
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    Victoria Hinshaw, Author


    Here I will share some of my articles on favorite topics, such as English Country Houses, the Regency Royals, Jane Austen, and the like. Some of these articles have been published elsewhere, probably on the blog I share with Kristine Hughes and Louisa
    ​Cornell:  numberonelondon.net

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