"Locations manager, Rebecca Pearson says, 'In Wolf Hall: The Mirror and the Light, the scene we shot there that audiences will remember is [in Episode 4] when Henry and Cromwell play chess by the window. It’s that moment where their relationship is starting to change."
Of course, Henry VIII had loads of palaces--plus his hunting lodges. We were told by a curator that basically, [the Tudors] would stay in one palace for a few months until it smelt so much, they’d pack everything up, tapestries, furniture, clothes, and the whole court would move to the next palace. That’s why they had so many palaces.”
Below left, Montacute, west front; right, one of two lodges at the corners of the East Court.
Below, left, part of the Great Hall Screen, and right, in he Great Hall.
Below, the Dining Room, as adapted in the 18th century, once part of the Buttery. Left, the fireplace; right the Phelips family arms, the motto "Pro aris et fois" translates to "For homes and hearths," from 1599.
Below James Lees-Milne (1908-1997), Historic Buildings Secretary of the NT, who with Eardley Knollys, initiated a drive to stimulate donations of period-appropriate acquisitions to furnish the house; right, Detail of The Hunter, a 16th C. tapestry from the Gobelins factory in Paris, dated 1788, one of many precious objects donated to the house by Sir Malcolm Stewart (1872-1951), philanthropist and founder of the London Brick Company.
I have wandered far afield from the brilliant PBS television series based on the late Hilary Mantel's trilogy Wolf Hall. But I cannot resist just one more nod to the fine work of Mark Rylance, who stars as counselor to Henry VIII, Thomas Cromwell. An excellent performance.