right, Hambletonian Rubbing Down, also by Stubbs, which hangs at Mount Stewart in County Down, Northern Ireland. Both photos from National Trust Collections.
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I spent my pre-teen and some teen years as a girl mad about horses. I petted and rode them, mucked out stalls, collected statues and pictures, tried to paint their images, and thought about horses incessantly. Were you like me? Did you know where every horse in your neighborhood could be seen? Did you beg your parents to drive you to the stables? I was recently reminded of my love for this book when I came across an old newsletter from the Royal Oak Society with an article about English horses, especially the three founding sires of all Thoroughbreds in the 18th century: The Darley Arabian, The Byerley Turk, and The Godolphin Arabian, aka King of the Wind, in the novel by Margaret Henry. I was lucky to live near Wayne, Illinois, where Henry lived and wrote the books I adored, with illustrations by the equally brilliant artist Wesley Dennis, such as the four below. Click on the pictures for full-size versions. The Royal Oak article on English horses, particularly racehorses, wrote of several famous artists who often painted the favorite champions of the 18th and 19th centuries, and whose portraits have gained widespread fame, such as those shown below. Left, Whistlejacket, by George Stubbs (1724-1806), original in the National Gallery, London, and right, a copy hanging at the Wentworth-Woodhouse estate. My photos. Above left, Jason, his Groom and Sir Harry Harpur by Sawrey Gilpin (1733-1807), which hangs at Calke Abbey; right, Hambletonian Rubbing Down, also by Stubbs, which hangs at Mount Stewart in County Down, Northern Ireland. Both photos from National Trust Collections. The closest I ever came to racing was months schooling this retired racing mare for a friend and colleague in Maryland who paused her riding while she carried her third child. I loved every minute of putting the mare through her paces to become a collected and amiable mount whether in the ring, on the trail, or even hunting. Since both my colleague and I were journalists, we both must have been cheering Journalism in his brilliant stretch run to win the Preakness, right there in Maryland. In tracing the long line of Journalism's pedigree, we find it goes through Native Dancer, Eclipse, and all the way to the Darley Arabian, perhaps to all three of the founding Thoroughbred Sires.
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Montacute House (above, the east front) in Somerset plays the role of Greenwich Palace, aka Palace of Placentia, Henry VIII’s main London seat and the site of Anne Boleyn’s arrest in the first series. From the NT post: "Locations manager, Rebecca Pearson says, 'In Wolf Hall: The Mirror and the Light, the scene we shot there that audiences will remember is [in Episode 4] when Henry and Cromwell play chess by the window. It’s that moment where their relationship is starting to change." From the NT: "The UK National Trust property Montacute House has stayed virtually frozen in time since the Elizabethan era. It’s built in an ‘E’ shape, a popular design of the period... Of course, Henry VIII had loads of palaces--plus his hunting lodges. We were told by a curator that basically, [the Tudors] would stay in one palace for a few months until it smelt so much, they’d pack everything up, tapestries, furniture, clothes, and the whole court would move to the next palace. That’s why they had so many palaces.” Please click on the small photos to enlarge. Above left, Palace of Placentia, artist's rendering; right, stone marking the former location of Greenwich Palace, near the present site of the Old Royal Naval College, Greenwich, on the Thames downstream from London, shown below From Wikipedia Common: "The Old Royal Naval College, viewed from the north. Between the two college buildings appears the Queen's House in the middle of the picture. On the skyline stands a statue of James Wolfe at the end of an avenue of chestnut trees, with the Royal Observatory visible at right." Below left, Montacute, west front; right, one of two lodges at the corners of the East Court. Above, statues of two of the Nine Worthies in niches on the east facade, described in Wikipedia as "nine historical, scriptural, and legendary men of distinction who personify the ideals of chivalry established in the Middle Ages, whose lives were deemed a valuable study for aspirants to chivalric status...The Nine Worthies include three pagans (Hector, Alexander the Great, and Julius Caesar), three Jews (Joshua, David, and Judas Maccabeus, and three Christians (King Arthur, Charlemagne, and Godfrey of Boullion)." Below, left, part of the Great Hall Screen, and right, in he Great Hall. Above left, the ground floor Drawing Room and right, the Parlour. These rooms adjacent to the Great Hall would have originally the principal family rooms. Below, the Dining Room, as adapted in the 18th century, once part of the Buttery. Left, the fireplace; right the Phelips family arms, the motto "Pro aris et fois" translates to "For homes and hearths," from 1599. Above left, Sir Edward Phelips (c. 1555/1560 – 1614) Speaker of the House of Commons, who built Montacute House and established the dynasty which owned the estates until it was sold in the early 20th century. At right, Lord Curzon who leased the house and lived there with his mistress, the novelist Elinor Glyn. After his death in 1925, the house was emptied of its art and furnishings, remaining unwanted. In 1931, Ernest Cook of Thomas Cook Travel Agents purchased the empty Montacute House for the National Trust, as the second stately home under its protection. Below James Lees-Milne (1908-1997), Historic Buildings Secretary of the NT, who with Eardley Knollys, initiated a drive to stimulate donations of period-appropriate acquisitions to furnish the house; right, Detail of The Hunter, a 16th C. tapestry from the Gobelins factory in Paris, dated 1788, one of many precious objects donated to the house by Sir Malcolm Stewart (1872-1951), philanthropist and founder of the London Brick Company. Above, left, the silver epergne was once owned by the Phelips family and purchased in 2006 by the NT; right, the cabinet on a stand is English, in the Japanese style, in lacquer and gilt, dating from the mid-18th century.
I have wandered far afield from the brilliant PBS television series based on the late Hilary Mantel's trilogy Wolf Hall. But I cannot resist just one more nod to the fine work of Mark Rylance, who stars as counselor to Henry VIII, Thomas Cromwell. An excellent performance. |
Victoria Hinshaw, Author
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